Глоссарий





Новости переводов

19 апреля, 2024

Translations in furniture production

07 февраля, 2024

Ghostwriting vs. Copywriting

30 января, 2024

Preparing a scientific article for publication in an electronic (online) journal

20 декабря, 2023

Translation and editing of drawings in CAD systems

10 декабря, 2023

About automatic speech recognition

30 ноября, 2023

Translation services for tunneling shields and tunnel construction technologies

22 ноября, 2023

Proofreading of English text



Глоссарии и словари бюро переводов Фларус

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Underexposure

Глоссарий терминов по видеокамерам
  1. A picture that appears too dark because insufficient light was delivered to the imaging system. opposite of overexposure.

  2. The result of recording too little light when taking a picture, which results in a dark image. in digital imaging, underexposure can be corrected to a certain extent by the use of image-editing software, depending upon how underexposed your image is. raw files offer more latitude than jpegs and tiffs for correcting underexposure.

  3. Failure to expose correctly because not enough light has struck the film or sensor to faithfully render the color and brightness values. underexposed pictures are dark; the more the underexposure the darker they become. color also suffers when film is underexposed, although a slight amount of underexposure can be used to increase color saturation in certain color slide films.




Insufficient, английский
    Недостаточный


Overexposure, английский
  1. An image that appears too light. all the highlights and colors are totally lost and usually unrecoverable even by software.

  2. The result of recording too much light when taking a picture, which results in a lighter image. in digital imaging, overexposure can usually be corrected to a certain extent by the use of image-editing software, depending on the degree to which an image is overexposed. raw files offer more latitude than jpegs and tiffs for correcting overexposure.

  3. In exposure, when too much lighting strikes the film for a proper rendition of the scene. minor overexposure may cause a loss of details or texture in the scene highlights; severe overexposure will cause a serious deterioration of picture quality in color and black and white print film, and a complete loss of picture information with slide films.

  4. This is an image that appears much too bright. the highlights and colours are totally lost and usually unrecoverable even by top software. either the shutter speed was too long or the aperture was too wide.

  5. Слишком большая шумиха вокруг кого-либо; слишком частое упоминание в печати и т.п.


Brightness, английский
  1. Term for the intensity of illumination of a reproduced video picture.

  2. The attribute of visual perception in accordance with which an area appears to emit or reflect more or less light (this attribute of color is used in the color model hsb - hue, saturation, brightness). see lightness.

  3. A term to indicate the relative amount of light intensity available. brighter is more light, dimmer is less light. in an infrared system, the brightness control may affect actual image intensity or it may change the temperature range displayed. either eff

  4. The attribute of visual perception in accordance with which an area appear to emit more of less light. (luminance is the recommended name for the photo-electric quantity which has also been called brightness.)

  5. In ntsc and pal video signals, the brightness information at any particular instant in

  6. Яркость

  7. The value of a pixel in an electronic image, representing its lightness value from black to white. usually defined as brightness levels ranging in value from 0 (black) to 255 (white).

  8. In ntsc and pal video signals, the brightness information at any particular instant in a picture is conveyed by the corresponding instantaneous dc level of active video. control is an adjustment of setup (black level, black reference).

  9. Is strictly defined as an attribute of a visual sensation according to which an area appears to emit more or less light. we sometimes misuse the term brightness in this catalog instead of the more correct “luminance.” luminance, used for sources, is the luminous flux in an elemental beam from a given point per unit area per solid angle in the specified direction.

  10. The visual sensation of the luminous intensity of a light source. the brightness of a laser beam is most closely associated with the radiometric concept of radiance.

  11. A term mostly used in a qualitative way, related to the output power and beam quality of a laser; quantitatively

  12. The luminance of objects. the brightness of any area of the subject is dependent on how much light falls on it and how reflective it is. brightness range is the relationship we perceive between the light and dark subjects in a scene. brightness contrast is a judgment of the relative measure of that range, such as high, low, or normal. brightness values are sometimes referred to as ev (exposure values), a combination of aperture and shutter speed. brightness values in the scene are translated to tonal values on film.

  13. Value of a pixel in a digital image giving its value of lightness from black to white, with o being black and 255 being white.

  14. That attribute of visual perception in accordance with which a surface appears to emit more light or less light. now called luminance.

  15. The amount of light that is emitted by a computer monitor or picture displayed on the monitor.

  16. Яркость. для видеосигналов систем ntsc и pal


Saturation, английский
  1. The condition when the partial pressure of water vapour in the atmosphere is at its maximum level for the existing temperature and pressure. for example, at saturation an equilibrium exists between water vapour and liquid water and there is no net evaporation or condensation.

  2. The attribute of color perception that expresses the amount of departure from the neutral gray of the same lightness. also referred to as chroma.

  3. Насыщенность

  4. Насыщенность (цвета). показатель, описывающий силу цвета и его уровень серого. мера чистоты цвета, определяющая количество содержащегося в нем серого. чем выше содержание серого, тем ниже насыщенность цвета

  5. In color, the degree to which a color is diluted with white light or is pure. the vividness of a color, described by such terms as bright, deep, pastel, pale, etc. saturation is directly related to the amplitude of the chrominance signal.

  6. Насыщение

  7. The degree to which a color is undiluted by white light. if a color is 100 percent saturated, it contains no white light. if a color has no saturation, it is a shade of gray.

  8. The degree of intensity of a hue. also, the result of hanging a hot light under an automatic sprinkler head.

  9. Saturation is the depth of the colors within a photographic image. photographs with deep levels of color are described as being heavily saturated. a photograph with lighter levels of saturation is described as having a muted color palette. a totally desaturated color photograph becomes monotone—or black and white.

  10. 1) in a communications system, the condition in which a component of the system has reached its maximum traffic handling capacity. 2) the point at which the output of a linear device, such as a linear amplifier, deviates significantly from being a linear function of the input when the input signal is increased. 3) the degree of the chroma or purity of a color.

  11. In color, a vividness, or intensity. some films have more inherent color saturation than others. saturation can be slightly increased by moderate film pushes, or by slight underexposure of certain slide films. saturation can be increased in color negative film by moderate overexposure.

  12. The degree to which a colour is undiluted by white light. if a colour is 100 percent saturated, it contains no white light. if a colour has no saturation, it is a shade of grey.

  13. A most important aspect in producing high quality leathers. full saturation of tanning, fat liquors and dyes are essential in the production of fine leathers. self-covered seat deck: in upholstered furniture, using cover fabric to cover area under loose cushions. also called self-covered deck. selvage: tightly woven edges that prevent fabric from fraying on the roll. the selvage must be cut away for many fabrics to drape smoothly. serpentine form: profile made up of convex curve flanked by two concave curves.

  14. N насыщение; запол- нение актантных позиций saussurean a соссюрианский

  15. Насыщение-отбора проб. обычно, особенно в сша, так называется прибор, в котором имеются таймер (регулятор выдержки времени), коллектор и 6 или более клапанов с проходным отверстием для подачи воздуха в различные устройства для забора проб через заданные интервалы времени. этот термин относится также к автоматическому устройству для ежечасных: замеров концентрации дыма. воздух пропускается при постоянной скорости через бумажный фильтр, на котором после этого остается темное пятно дымовых частиц. фильтровальная бумага (в виде свернутой в трубочку полоски шириной: 20—30 мм) проходит через зажим фильтра, закрепленный пружинами для обеспечения герметичности. в конце каждого-часа зажим открывается и полоска бумаги продвигается вперед на 40—50 мм, после чего зажим опять защелкивается. в результате на бумаге образуется ряд пятен, каждый час-по одному пятну. термин «последовательный пробоотборник» иногда применяется также для обозначения полуавтоматического прибора (см. semi-automatic apparatus).

  16. Overload of a magnetic tape. the saturation point is the point at which an increase in magnetizing force does not cause a corresponding increase in magnetization of the tape oxide particles.

  17. In color management, the purity of a color’s hue, moving from gray to the pure color. save (v)

  18. 1. the maximum intensity or purity of a color. if the color is as brilliant as possible, it is at saturation; if the color is subdued or grayed, it is dull, weak, and low in intensity. 2. the upper limit concentration of a solute in a solvent, i.e., no more solute can be dissolved at a fixed temperature and pressure.

  19. The intensity or purity of a hue; the color of the greatest purity are those in the spectrum. words used to describe saturation are vivid, dull, brilliant, dark, deep, light, medium, pale, and weak.

  20. Condition in which high amplitude signals on a display screen do not increase with increased gain and appear flattened.

  21. Relative or comparative color characteristic resulting from a hue’s dilution with white light.

  22. (1) in nondestructive testing, signal amplitude at or above sensor’s maximum capability. (2) relative or comparative color characteristic resulting from a hue’s dilution with white light.

  23. Magnetic saturation.

  24. Condition in which high amplitude signals on a display screen do not increase with increased gain and appear flattened.7


Unsharp masking, английский
  1. A process by which the apparent detail of an image is increased; generally accomplished by the input scanner or through computer manipulation.

  2. (unsharp mask). the process by which the apparent detail and sharpness of an image is increased. generally accomplished by the input scanner or through computer manipulation using editing software.


Twain, английский
  1. Protocol for exchanging information between applications and devices such as scanners and digital cameras. makes it possible for digital cameras and software to talk with one another on pcs. the word is the abbreviation of technology without an industry name.

  2. An “acquire” or import interface, developed as a standard for communications between scanners, imaging devices, digital cameras and the computer software. twain allows you to import (acquire) an image into your software. this is generally the interface of choice for the windows platform.

  3. (technology without an industry name). protocol for exchanging information between applications and devices such as scanners and digital cameras. twain makes it possible for digital cameras and software to communicate with each other on pcs.